I was asked recently to post some process stuff to show how I put a painting together. I've actually only photographed my process once, it was for a larger scale packaging illustration I did for Magic in the summer of '08. This was a while ago and I've changed things up a little since then but this is still pretty much how I go about working. Click to enlarge.
1 - value thumbnail, usually I do this in pencil but here it's digital.
2 - color sketch, this is what I submitted to the art director for approval.
3 - final drawing (they're never pretty).
4 - final drawing transferred to masonite over acrylic tone.
5 - acrylic underpainting...I don't really do this anymore.
6 - oils!
7 - everything's in but unrefined.
8 - final painting as I submitted it.
Thursday, September 24, 2009
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Cool! I like the color rough. Sometimes when I do a painting, I like the color rough more. I hate that.
ReplyDeleteWowww! You just made my day Chris! This is one of my faves from you so it's great to see the process! I can't believe how close the final stayed to the color study. God I have to pick up a brush again!
ReplyDeleteDamn, man. Great process shots. Awesome post!
ReplyDeleteThanks guys.
ReplyDeleteBen - Yeah, that happens to me a more than I'd like. It's good to hear that I'm not the only one.
nice! :)
ReplyDeleteya brave son of a gun, hats off t'ya. really cool to see.
ReplyDeleteHi
ReplyDeleteIm a friend of Zack Jones(who you are mentoring) and a big fan, and I just wanted to say thanks for sharing your process! great work
Hey Chris, any chance of making a hi-res one available for download? I love seeing all those sexy brush marks :-P
ReplyDeleteHoly Smokes! This is fantastic Chris. Thanks a lot for posting this.
ReplyDeleteCapprotti - I would post a hi-res file but I think Wizards of the Coast gets a little weird about posting reproduction quality files online. Sorry man, but there's a decent sized file in one of my earlier posts.
ReplyDeleteCool! Nice to see the process and it's a great image - for sure.
ReplyDeleteWas the reason for dropping the acrylic underpainting just a speed issue?
Scott - yeah, the acrylic underpainting started to feel a bit redundant because I wound up painting over it with the same color in oils anyway so that I could blend a bit.
ReplyDeleteChris, I got some questions.
ReplyDelete1. Do you draw directly on board with gesso or do you draw at a paper, transfer it to the board and paint it over?
2. How do you transfer your drawings to the board? Do you use tracing?
Thank you!